Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas After the Bath oil painting


After the Bath
After the Bath, Woman Drying her Nape 1898, Mus??e d'Orsay, Paris, France
Painting ID::  58629 		Edgar Degas
After the Bath
After the Bath, Woman Drying her Nape 1898, Mus??e d'Orsay, Paris, France
   
   
     
Edgar Degas oil painting




Painting ID::  64206 		Edgar Degas
   
   
     
Edgar Degas woman witb a gren iutu oil painting


woman witb a gren iutu
mk289 1880-85 pastel on paper private collection london
Painting ID::  66324 		Edgar Degas
woman witb a gren iutu
mk289 1880-85 pastel on paper private collection london
   
   
     
Edgar Degas dancers pink and green oil painting


dancers pink and green
mk289 ca1890 oil on canvas metropolitan museum of art new york
Painting ID::  66313 		Edgar Degas
dancers pink and green
mk289 ca1890 oil on canvas metropolitan museum of art new york
   
   
     
Edgar Degas ibe amazons oil painting


ibe amazons
mk289 1882 pastel 97x64cm private collection
Painting ID::  66433 		Edgar Degas
ibe amazons
mk289 1882 pastel 97x64cm private collection
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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